Top Thanksgiving Destinations

Americans are planning their trips and packing their bags for bright lights and warm beaches, according to the Allianz Travel Insurance Top 10 Thanksgiving Destination Index, which found that travel-ready Americans have made New York City and Cancun, Mexico their top picks for 2021 turkey-day destinations.

Allianz Partners reviewed more than two million travel itineraries* around the Thanksgiving holiday for roundtrip flights departing from United States airports from Saturday, November 20 to Thursday, November 25, and returning Friday, November 26 to Tuesday, November 30 and revealed the hottest domestic and international destinations for Thanksgiving 2021.

With the return of Broadway and exciting outdoor seasonal activities like the annual Thanksgiving Day parade, New York City reclaimed the top domestic spot with Seattle, Washington slipping to second and Boston, Massachusetts in third place (up two slots from 2020). Atlanta, Georgia and Dallas Fort-Worth, Texas round out the top five, while Los Angeles, down three spots, came in at sixth place.

A popular fixture in Allianz’s annual survey, Mexico is the top international Thanksgiving destination darling for Americans with Cancun, San Jose Del Cabo and Puerto Vallarta claiming all three top spots. All but two of the top 10 international locations, with London and Paris in fourth and eighth place respectively, are beach destinations, showing that this Thanksgiving, in addition to the stuffing, Americans are searching for a side of vitamin D.

“Americans are craving a return to the good old days and nothing beats a traditional Thanksgiving surrounded by the sights and sounds of New York,” said Daniel Durazo, director of marketing and communications for Allianz Partners USA. “Whether you’ll be enjoying your Thanksgiving in the Big Apple or on the beaches of Mexico, it’s smart to protect your trip with travel insurance. In an increasingly uncertain world, travel insurance offers peace of mind by protecting pre-paid travel expenses from unforeseen covered events that may cause trip cancellations or interruptions, significant travel delays, baggage issues and medical emergencies.”

With more Americans traveling this year compared to 2020, it’s important to understand the COVID-19 guidelines in travel destinations. Earlier this year, Allianz Partners USA announced enhancements** to many of its travel insurance products in most states through an Epidemic Coverage Endorsement. Products that include this endorsement may include covered reasons that provide coverage to customers who become ill with COVID-19 or a future epidemic, are individually ordered to quarantine, or are denied boarding due to a suspected illness. Specifically, products with these enhancements may include epidemic-related illness as a covered reason to cancel or interrupt a trip, or seek reimbursement for emergency medical care, emergency medical transportation, change fees and loyalty points redeposit fees. Availability of the Epidemic Coverage Endorsement, and specific covered reasons under that endorsement, varies by product and by state. See your plan for details.

Allianz Partners offers travel insurance through most major U.S. airlines, leading travel agents, online travel agencies and directly to consumers. For more information on Allianz and the policies offered for travelers, please visit: http://www.allianztravelinsurance.com.

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*Methodology: The data of U.S. travelers’ 2021 Thanksgiving plans was gathered by analyzing the number of customers that went through the online booking process of airfare and package paths for partners offering Allianz Global Assistance travel insurance, to generate itineraries for roundtrip flights departing from U.S. airports from 11/20/2021 –11/25/2021, returning 11/26/2021 – 11/30/2021. In total, 2.3 million itineraries were analyzed using this methodology.

How Holiday Travel Will Be Different in 2021

The granite spires and snowy summits of Denali National Park and Preserve straddle 160 miles of the Alaska Range and display so much elevation they are often lost in the clouds. Photograph courtesy of Alaska Travel.

Despite numbers still being a bit lower than they were before the pandemic, demand is rebounding, especially regarding air travel. “We’re already seeing significant momentum around international and domestic flight searches when compared to 2020, up 155 percent and 212 percent, respectively,” says Matt Clarke, the VP of marketing at online travel agency, Kayak. “When compared to 2019, however, both international and domestic flight searches are down, 52 percent and 43 percent, respectively.”

FOCUS ON: MONICA VITTI

Monica Vitti was born on November 3, 1931 in Rome, Lazio, Italy as Maria Luisa Ceciarelli. She is an actress best known for her work with film director Michelangelo in L’Avventura (1960), La Notte (1961), L’Eclisse (1962) and Red Desert (1964). For ten years (1957-1967) she was the muse and the companion of Antonioni. L’Avventura made Vitti an international star, where her image later appeared on an Italian postage stamp commemorating the film.

When to Book Holiday Travel in 2021

Though some travelers might be hesitant to book travel early given the uncertainty regarding the COVID-19 variants, T-Boy suggest taking advantage of the flexible cancellation policies offered by travel companies, as prices are only going to rise as the holidays approach.

FIRST GRAPE VINES FOUND IN THE NEW WORLD

Viking expeditions of Vinland recorded the first grape vines found in the New World. Vinland, Vineland or Winland (Old Norse: Vínland) was an area of coastal North America explored by Leif Erikson around 1000 CE, nearly five centuries before the voyages of Christopher Columbus and John Cabot. The name appears in the Vinland Sagas, and presumably describes both Newfoundland and the Gulf of Saint Lawrence as far as northeastern New Brunswick (where the eponymous grapevines are found). Much of the geographical content of the sagas corresponds to present-day knowledge of transatlantic travel and North America.

I Am an American Day

“In 1940, Congress and the President FDR passed a resolution creating” observed on the third Sunday in May. In 1952, the holiday was renamed to “Constitution Day” and moved to September 17, the day in 1787 that the Constitution was signed. Constitution Day and Citizenship Day is a single celebration that commemorates the formation and signing of the US Constitution while also recognizing both naturalized citizens and those born in the US. It’s a day to learn about these subjects, as well as a day many people become naturalized citizens in group ceremonies. (On average, about 700,000 people become US citizens every year.)

World’s Historical Landmarks

With the prospects of travelling again at the tips of our fingers, all of us are eager to visit monuments in a different country so magnificent we just can’t resist sharing on our social accounts. With this in mind, TheKnowledgeAcademy.com sought to find out which of the world’s historical landmarks is the most popular on social media by combining the total social shares across Instagram, TikTok, and Pinterest.

Tulum tops the charts as the most popular historical landmark across social media, earning a whopping 1,584,562,637 hashtags and pins. Located along the picturesque coastline of Mexico, it’s almost impossible not to share Tulum’s idyllic white sand beaches and Mayan ruins while you are there! Winning by a landslide, Tulum also ranks first with the most shares on TikTok (1,576,600,000) compared to the Eiffel Tower which comes in second with (398,895,800).

• In second place with more than 400 million social shares is Paris’ iconic Eiffel Tower. Nestled in the beautiful grassy Champ de Mars park, the lattice tower figure has dominated social media feeds for many years. This iconic French landmark also earns the title as the most shared site on both Instagram (8,253,820) and Pinterest (312,675).
• Taj Mahal in India takes third place with 352,758,040 shares on social media. The beautiful mausoleum hewn from white marble and its elegant lotus dome draws more than 7 million tourists every year.
• In fourth is Machu Picchu in Peru with more than 199 million shares. The ruins of the Incan citadel are set atop Cordillera de Vilcabamba of the Andes Mountains and overlooks the majestic Urubamba River which makes it a must-post on socials.
• In fifth place with 146,482,664 shares is the Statue of Liberty Monument in the United States. Holding up the torch of enlightenment on New York’s Liberty Harbour, the green-tinted statue is an unmissable share on socials for visitors from all over the globe.
• The Mayan city Teotihuacán places tenth with 38,406,867 shares across social media. Located just outside Mexico City, Teotihuacán is home to ruins of a major central road, the Street of the Dead, as well as the Pyramid of the Sun. The perfect collision of scenic views and culture has made Teotihuacán a popular addition to social feeds.
• Mexico dominates the top 10 charts, with three landmarks making the ranks (Tulum, Chichén Itzá, and Teotihuacán).

FOCUS ON: Edvard Grieg – Troldhaugen – Bergen, Norway

Despite his diminutive 5 ft frame, Norwegian composer Edvard Hagerup Grieg was a towering rock star long before the expression existed. Born into a successful Bergen merchant family in 1843, his life dramatically changed when violin virtuoso Ole Bull recognized his talent and also introduced him to the treasures of Norwegian folk music.

Beatle Beat Trivia

Question: Paul McCartney is gifted with a remarkably high tenor vocal range. Which performance features Paul’s highest modal (non falsetto) vocal note in a Beatles recording?

Answer: In the last line of “Oh! Darling” Paul hits an astonishing High D above High C.

Why These Eight Mexico City Neighborhoods Are Worth Planning Your Next Trip Around

by Michael Snyder

There are few places as dynamic, diverse, or downright enormous as the Mexican capital. In a city layered with history, in which change is an essential part of residents’ DNA, where to begin planning a trip? Michael Snyder, a freelance journalist based in Mexico City. gives his breakdown of the key colonias to visit, whether your focus is shopping, food, art, or design.

A little more than two years ago, I moved to Mexico City more or less sight unseen, taking it on good faith that this urban giant could find space for one more body among the 21 million that already called its metro area home. I came, like many foreigners before me, with vague ideas about its vibrant food and art scenes; its crooked glamour and effortless cool; its rich colonial and modern architectural landscape. I expected to find moments of enervating chaos and sometimes choking smog. But I was rejuvenated by gracious parks and sublime weather, by crisp autumn mornings and springlike afternoons, by spasms of rain and hail and thunder that gave way, just in time, to marigold sunsets blooming across the horizon. Mexico City, it seems, is able to turn a different face to each and every one of its inhabitants.

That’s because, in the past five centuries, Mexico City has become a master of transformation. Flung wide across a seismic, high-altitude plateau, North America’s largest city has survived colonial conquest, years-long floods, a bloody war of independence, a bloodier revolution, and, in 1985, a catastrophic earthquake that killed more than 9,000 and decimated much of the historic central borough of Cuauhtémoc. Thirty-two years later to the day, in 2017, another quake shook the city to its core, bringing down over 40 buildings and damaging many more. Within weeks, the city had bounced back from that, too. Chilangos, as residents are known, continue to deal with shoddy governance, shoddy infrastructure, and fluctuating levels of security. Given the choice, many would just as soon return to the villages they left a generation or three before. But many more – myself included – wouldn’t live anywhere else.

No one trip is enough to unlock the city’s many wonders. For a first-time visitor, sticking to the leafy neighborhoods in and around the Delegación Cuauhtémoc offers an ideal introduction: a walkable, manageable microcosm of the city’s wild, sophisticated whole. From the cockeyed grandeur of the Centro Histórico to the discreet galleries of Santa María la Ribera and the glamorous cafés of Condesa, these are the eight districts every visitor should get to know.

Centro Histórico

Late one Sunday morning, I set out from my home on the far side of the Zócalo, Mexico City’s spectacular central plaza, to the Mercado San Juan. It wasn’t a particularly long walk, but, like most routes through the Centro Histórico, it encompassed many pasts, many presents, and many possible futures. Here you’ll find opulent colonial palaces, crooked Baroque churches, murals by Diego Rivera at the Palacio Nacional and the Secretariat of Public Education headquarters, and the magnificent ruins of the Templo Mayor, the axis of the Aztec Empire’s religious and political universe.

Until the late 1800s, the Centro was Mexico City. Then, from the turn of the century onward, modernity-obsessed elites began abandoning their ancestral homes and moving to the newly created suburbs in the west and south. After the 1985 earthquake, the Centro was all but abandoned. It remained an important place of protest and celebration, but it was not a place you lingered.

Entering the open doorway of the Mercado San Juan, I passed vendors selling rambutans and mangoes, plastic boxes of microgreens, and giant clams from Baja. But I hadn’t come here to shop (for that I go to Mercado la Merced, the bigger, crazier, more beautiful wholesale market on my side of the Centro). Instead, I had come to eat at Don Vergas, an eight-seat market stall that, for the past year, has been turning out some of the best seafood in Mexico City.

Chef Luis Valle, who hails from the northwestern coastal state of Sinaloa, had opened shop only an hour earlier, but already a rowdy line had filled the aisle, singing along to the banda music playing through a loudspeaker perched precariously over the tiny kitchen. “How many crab tostadas?” Valle shouted over the music. Hands shot up: 15 orders.

I slipped behind the bar to help squeeze a few limes and hang out with Valle, who makes great company, no matter how busy he is. I asked how many people he would cook for today. “About 400,” he said. I asked how he coped. “I don’t!” he laughed, then turned back to the crowd, shouting: “How many scallops?”

Even a decade ago, you’d have been hard-pressed to find such excitement surrounding a restaurant in this part of town. But in the past year or so, pop-up parties have begun to appear on rooftops, in basements, and at run-down cantinas like the bizarre and beautiful La Faena, decorated with dusty shadow boxes of toreadors’ costumes. Edgy art galleries have appeared in former office buildings. Bósforo, still the top place in town for mezcal almost 10 years after it opened, draws crowds on weekends, while the nameless restaurant next door serves impeccable Oaxacan food by flickering candlelight.

But despite the fact that a new, younger generation is now gravitating to the Centro, it’s still a place that belongs to everyone. Activists stage regular protests in the Zócalo. Residents from around the city come to shop at stores selling everything from spices to light fixtures and giant handmade candles decorated in lacy wax flowers. Government workers stop in at century-old cantinas for an afternoon beer (try La Ópera for gilded old-world opulence, or Salón España for the city’s best tequila list). Even the exorbitantly expensive Mercado San Juan, where Luis Valle slings his seafood, has a raucous weekend party. Nowhere in this immense, stratified city is more democratic or more beautiful.

Roma & Condesa

At the northern edge of Colonia Roma, a trickle of young, stylish people wandered in and out of a heavy glass door that swung open onto Calle Puebla. They followed a bend of stairs past tall white gallery walls and out onto a sunny roof terrace surrounded by treetops. Monserrat Castera, beer in hand, led me from the open patio into a small, glass-walled room at one corner to show me around the latest edition of her pop-up shop, Momo Room – one of a growing number of nomadic retail spaces now at the vanguard of Mexico’s fashion scene.

This iteration, she explained, was inspired by Juan Rulfo, the mid-20th-century writer whose works are widely considered to be among the finest ever written in Mexico. Rulfo set two of his most important books in a fictional town in the small coastal state of Colima. Among objects selected from local designers, Castera had scattered photographs of Colima, burlap sacks of the state’s famous sea salt, and handwoven straw hats. There were also playful sunglasses from French-Mexican collective Stromboli Associates; handmade box bags in wood and leather by Aurelia, a brand run by three sisters from Guadalajara; and embroidered linen kimonos dyed with indigo and cochineal from local label Korimi Kids. None of these designers had a brick-and-mortar shop. After all, in a city obsessed with collaboration, and replete with spectacular spaces ideal for short-term group exhibitions, what would be the point?

When Mexico City was named the World Design Capital for 2018, many ascribed the distinction to an aesthetic that brings Mexico’s disparate creative traditions – from textiles and earthenware to the great Modernist boom of the 1950s – into conversation with one another. Though that sensibility has existed in Mexico for generations, it has become newly fashionable in Roma and Condesa, two of the capital’s most design-forward neighborhoods. You can witness it at stores like quirky clothing boutique Hi-Bye, at the shops lining the uneven sidewalks of the beautiful Calle Colima, and at Ven a Mi – an appointment-only showroom selling unusual crafts from around the country.

After the 1985 earthquake, many residents fled Roma, and it was well over a decade before artists and designers began moving back into its gracefully dilapidated Beaux-Arts mansions. Condesa, which was the city’s most cosmopolitan neighborhood during the 1930s and 40s, experienced a shorter decline, having rebounded by the mid 90s. With its pretty Art Deco and Mission-style apartments and even prettier residents, Condesa is today the grande dame of Mexico City colonias – stylish, elegant, but never trying too hard. Condesa and Roma were also among the areas most heavily damaged in the 2017 earthquake, but this time both returned to life with remarkable speed. Were it not for a handful of empty buildings dotting the area, deep cracks running like vines through their white plaster exteriors, you might not know that anything had happened here at all.

And while the dialogue between tradition and innovation found its way into restaurant kitchens at least a decade ago in places like Enrique Olvera’s Pujol, in the swanky Polanco area, Roma and Condesa have taken the lead in translating it into more casual – though no less ambitious – settings. At the year-old restaurant Meroma, wife-and-husband team Mercedes Bernal and Rodney Cusic offer some of the neighborhoods’ most refined cooking, taking inspiration from local ingredients, rather than traditional dishes, to create a subtly eclectic menu. And at El Parnita, a family-run taco joint that got hip as the district did, young diners line up for a lunch of fish tacos and craft beer.

And at the chaotic, nameless open kitchen next door, a young chef named Jesús Salas Tornés creates consistently delicious, interesting dishes that bring the flavors, techniques, and oddball informality of the countryside straight to the heart of the city.

Santa María La Ribera & San Rafael

Not long after I moved to Mexico City, I climbed a flight of terrazzo stairs leading to a buzzing, dimly lit terrace in Santa María la Ribera, an otherwise quiet residential neighborhood northwest of the Centro. Glamorous in its turn-of-the-20th-century heyday, Santa María, the first planned suburb of the Centro, was, by the 1950s, overshadowed by neighborhoods like Roma and Condesa. On that chilly evening, however, it was hard to imagine anywhere more elegant.

In the 17 years since Zonamaco, the city’s mammoth weeklong art fair, launched, Mexico City has become an essential stop for regulars on the international art circuit and young artists looking to create and show work in a dynamic, affordable environment. A few nights before the gathering on the terrace, Art Week had started – an annual event that includes Zonamaco and its daring younger sibling, the Material Art Fair. Around me was a crowd of local gallerists, artists from Mexico and abroad, and assorted global movers and shakers. They’d come to celebrate the recent opening of the Mexico City outpost of Casa Wabi, the Tadao Ando-designed artists’ retreat in Oaxaca, on Mexico’s southern coast. Mezcal flowed freely as fairy lights twinkled along with the neon sign for a cheap hotel across the street.

Between them, Santa María and the adjacent area of San Rafael are home to more than a dozen galleries and art spaces. Some represent internationally recognized artists, but most are like Casa Wabi: alternative, informal spaces for young Mexican artists. On a recent morning, I stopped by the gallery to see an exhibition of earthenware pieces by a Swiss resident at the Oaxaca center, displayed alongside Midcentury Modern furniture sold by the design shop Decada. The small space on the ground floor showed work by a photographer from the northern state of Sonora – endless desert horizons punctuated by fragments of industrial architecture. “Mexico City is a nursery for the rest of the country,” said Carla Sodi, director of the Casa Wabi Foundation, as we sat one morning on a balcony overlooking an ordinary street that was waking to the working day. “Eventually, these artists will go back home and plant those seeds.”

Santa María and San Rafael have always been low-key repositories for Mexican design. Around Santa María’s gracious alameda, or central park, families move up and down the marble stairs of the gorgeously old-fashioned Geology Museum, built in 1910, while old couples dance beneath the flamboyant glass dome of the Moorish Kiosk, erected here in the same year. The Art Nouveau towers of the Museo Universitario del Chopo, an important center for contemporary art, soar over a street that, in the early 1980s, was the locus for the city’s punk and goth scenes. The ruins of Cine Opera, a now-defunct Art Deco cinema, stand like a sentinel at San Rafael’s northern edge. And the abstract minimalism of the Museo Experimental El Eco, built in the 1950s by the celebrated artist and designer Mathias Goeritz, brackets San Rafael’s south.

Yet despite all these monuments, both neighborhoods remain typical middle-class barrios. Santa María’s neighborhood tamale shop, Cintli, is my favorite in all of Mexico City. Beer and tequila abound at the local cantina Salón París, and La Polar in San Rafael serves steaming bowls of birria, a regional beef stew, accompanied by raucous mariachi bands playing late into the night.

Juarez & Colonia Cuauhtémoc

The glass-and-steel towers lining Mexico City’s grand ceremonial avenue, Paseo de la Reforma, burst from the low-slung concrete grid like volcanic peaks, monuments to globalist prosperity erupting from the city’s ancient lake bed. Reforma connects the Centro to the Bosque de Chapultepec, the city’s biggest park, and the trio of art institutions clustered at its northern end – the Museum of Anthropology, the Museum of Modern Art, and the Tamayo Museum for contemporary art.

For much of the last century, the neighborhoods that flank Reforma – Colonia Cuauhtémoc to the north and Juarez to the south – were the center of the city’s international population. Wealthy Mexican families, foreigners, and diplomats were drawn here by embassies and banks and streets named for the great rivers and cities of the world they once called home: Ganges, Danubio, and Rhin; Londres, Hamburgo, and Berlín. From their development in the early 20th century onward, these areas have expressed Mexico’s global ambitions. They still do.

Ryo Kan, a guesthouse that opened in April in Cuauhtémoc, takes its neighborhood’s global spirit to heart, bringing the intimate calm of the traditional Japanese inns it’s named after to the heart of the Mexican capital. While other new boutique hotels in the city revel in Mexico’s mid-century elegance, Ryo Kan is tranquil and subdued, compact and efficient, a meditation in pale oak and terrazzo. “Japan and Mexico have a lot in common – our ceramics, our textiles, our uses of natural materials. We wanted to find those parallels,” says Regina Galvanduque, the lead architect on the Ryo Kan project.

Ryo Kan is the most recent of a number of Japanese-inspired businesses to open along Cuauhtémoc’s subdued, tree-lined streets. In the past six years, the Edo Kobayashi restaurant group, run by Edo López, has created a small empire there, with an izakaya and ramen spot called Rokai, a tiny bar called Le Tachinomi Desu serving sake and natural wines, and a listening bar inspired by Tokyo’s Ginza Music Bar.

Wander a few minutes south into the Zona Rosa, the historic gay neighborhood at the center of Colonia Juarez, and you’ll find it hard not to feel transported. Banners for cheap cafés, Korean lunch joints, and neon-lit gay bars obscure the façades of old houses built in an inexplicable (and inexplicably pleasing) hodgepodge of architectural styles from France, Italy, Britain, and Spain.

In the evenings, crowds spill onto the broad pavement of Plaza Washington from the garage-like edifice of Cicatriz, an all-day café run by a sister-brother team of American expats, Scarlett and Jake Lindeman. Most of their customers – who come for coffee and cocktails, natural wines, and fried-chicken sandwiches – wouldn’t look out of place in New York, Los Angeles, London, or Paris. That’s because many of them hail from just those places: the most recent group of immigrants to call Juarez home.

San Miguel Chapultepec

The long communal table that runs down the center of the restaurant Masala y Maíz had been laid out with bowls of spices – some of them familiar to Mexican palates (cumin, cinnamon, cloves, and black pepper), others (coriander seed, ginger, and star anise) less so. Chefs Norma Listman, originally from the nearby town of Texcoco, and Saqib Keval, born in northern California to an Indian family from East Africa, circulated, greeting guests. Seated at the center of the table, the restaurant’s first artist in residence, Sita Kuratomi Bhaumik, began her talk on the origins of Indian chai. The conversation then segued to the spices in front of us and how some made their way into Mexican kitchens.

Masala y Maíz had opened a few months earlier in the quietly elegant colonia of San Miguel Chapultepec, a triangle of leafy streets that separates Condesa from the Bosque de Chapultepec. Right away, it was a space obsessed with hybridity: an artists’ residency, an ambitious full-service restaurant, and a coffee shop serving house-made doughnuts from a window connecting the kitchen to the street. That evening, it was also a workshop for a handful of curious people, an event that was local in its reach, yet cosmopolitan in its vision.

For Listman and Keval, the menu at Masala y Maíz is a reflection of the mestizaje, or cultural mixing, that has defined Mexican culture since the Spanish conquest. Here, huevos rancheros come with South Indian uttapam flatbreads in place of tortillas. Giant prawns are coated in Ethiopian berbere and served with jicama and rose water. Patra de hoja santa, a riff on an Indian snack of spiced chickpea batter, trades the traditional taro leaf for southern Mexico’s emblematic herb, hoja santa.

San Miguel was not an obvious choice for this kind of restaurant. Peaceful and residential, the area is best known for its access to the Bosque de Chapultepec, never more than a few blocks away; for the pretty cobblestoned lanes that line its southern side; and for the beloved white-tablecloth cantina, El Mirador de Chapultepec, that has been a favorite among city politicians for decades. It’s also notable for its proximity to several essential design institutions, including the influential gallery Kurimanzutto, which turns 20 this year. Casa Luis Barragán, the former home of Mexico’s Pritzker-winning 20th-century architectural master Luis Barragán, lies just beyond the colonia’s western edge, and the renowned Archivo de Diseño y Arquitectura exhibition space sits right next door to Barragán’s house.

San Miguel is a perfect place for peaceful walks past magnificent private homes secreted away behind humble Neocolonial façades, for whiling away hours in quiet corners of the Bosque de Chapultepec, or for sipping hibiscus mead brewed right here in the city, a specialty at Masala y Maíz. It’s also a perfect place to reflect on something Chilangos have known for ages: that Mexico City isn’t just the capital of the Spanish-speaking world, or the biggest city in North America. A city of immigrants and innovation, built and rebuilt with a zealous lust for the new, blasted by tragedy, sustained by passion and pragmatism – Ciudad de México is, and always has been, the great city of the Americas.

Plan a Perfect Stay in Mexico City

For a manageable microcosm of this vast metropolis, stick to these parts of the historic Cuauhtémoc borough. Pick one as your base, and spend your days exploring the others.

Getting Around
Despite its size, Mexico City is relatively easy to navigate, particularly if you stay within the central neighborhoods. Comfortable year-round temperatures make it a great city for walking. The Metro is the most efficient way to cover longer distances, though it’s best avoided at rush hour. Uber is also a good option here.

Centro Histórico

Hotels
The Downtown Mexico (doubles from $230), set in a 17th-century palace, has an elegant rooftop bar and pool.

Eat & Drink
Arrive early to avoid the crowds at Don Vergas (Calle Motolinia 32; entrées $7-$32), which serves some of the city’s best seafood. Since time of reporting, the restaurant has moved from the Mercado San Juan to this new location, also in the Centro Histórico. Dip into a historic cantina like Salón España (25 Avda. República de Argentina), La Ópera (10 Cinco de Mayo), or La Faena (49 Venustiano Carranza) to break up a day of sightseeing. For dinner, stop at the beloved mezcal bar Bósforo (31 Luis Moya), then try the chic, nameless restaurant next door (entrées $8-$12).

Activities
Shop for whimsical fashion at Hi-Bye, and pick up a bottle of mezcal at Sabrá Diós (15 Avda. Veracruz), in Condesa. If you’re interested in local crafts, make an appointment to visit the showroom at Ven a Mi and keep an eye out for retail pop-ups like Momo Room.

Santa María la Ribera & San Rafael

Hotels
The boutique hotel El Patio 77 (doubles from $125) makes for a peaceful base in a central but relatively unexplored area.

Eat & Drink
Find the best tamales in the city at Cintli (174 Calle Sabino), a no-frills storefront in Santa María la Ribera. Salón París (152 Jaime Torres Bodet) is a great traditional cantina, while La Polar (birria $7) makes superb birria (beef stew).

Activities
The magnificent Geology Museum, in Santa María’s main plaza, has a beautifully displayed collection. For contemporary art, don’t miss Casa Wabi (casawabi.org) and the Museo Experimental El Eco, a masterpiece of mid-century Mexican design.

Juarez & Colonia Cuauhtémoc

Hotels
The newly opened Ryo Kan (doubles from $150) brings Japanese tranquility to the city’s business district.

Eat & Drink
You’ll find some of Mexico City’s best international restaurants in these neighborhoods, from small plates at natural-wine bar Le Tachinomi Desu (small plates $5-$8) to a remarkable omakase at Sushi Kyo (set menus from $75). Salón Ríos (218 Río Lerma; entrées $8-$30) is a great place for updated Mexican classics, while Cicatriz (entrées $3-$6) is ideal for a salad or an evening cocktail.

Activities
The Anthropology Museum has an extraordinary collection of Mesoamerican artifacts. Next door, Museo Tamayo shows modern, contemporary, and folk art, while the Museo de Arte Moderno focuses, as its name suggests, on modern art.

San Miguel Chapultepec

Eat & Drink
The menu at Masala y Maíz (small plates $5-$9) explores the commonalities among the cuisines of Mexico, India, and East Africa, while El Mirador de Chapultepec (sharing plates $7-$10) is one of the city’s classic cantinas.

Activities
Book well in advance for a tour of Casa Luis Barragán, former home of the Pritzker-winning architect. Nearby, Casa Gilardi, the last house Barragán built before his death, also offers tours by appointment. Next door to the Barragán house is the Archivo de Diseño y Arquitectura, a small exhibition space and reading room devoted to Mexican design with a beautiful garden in back. Twenty years after opening, Kurimanzutto, in the neighborhood’s peaceful heart, is still among the most influential galleries in North America.

Michael Snyder is a freelance journalist based in Mexico City, specializing in food, architecture, travel and culture. He is a regular contributor to T Magazine and has written for a range of publications including the New York Times, the LA Times, The Believer, The Nation, Scientific American, The Caravan, Lucky Peach, Travel + Leisure, Saveur, Food & Wine, Punch, Eater and Roads & Kingdoms, among others.)

Best Time to Use a Plane Lavatory

Expert: Erika Roth, former flight attendant
Time Limit: Five minutes, 10 max. Twenty minutes will get you a knock on the door
The Best Time to Go: As soon as the seatbelt sign is off, before drink service begins.

The Method: According to Roth, who encountered numerous splashdowns in her eight years on the job, unless you’re on a long-haul flight with multiple lavatory options, your best bet is to hold it, as odor is a problem in the cramped cabin of an airplane. “Close quarters, poor ventilation and a lack of efficient plumbing — to be blunt, the stench can fill a cabin quickly,” she explains.

If you have to go, Roth suggests an old flight-attendant trick: “Ask an attendant for packets of coffee grounds, then hang them up in the lavatory. The grounds will soak up the odor.” Of course, the flight attendants will know exactly what you’re doing in there, but your fellow passengers will be none the wiser.