Here’s my list, and I encourage you to assault, disagree or perhaps even agree, and send in your own list in our readers’ section at ad***@tr**********.com . What is most important is to keep a dialogue going about cinema as a visual medium for artistic expression where it takes its place among other art forms.

1. Robert Bresson

The point is not to direct someone, but to direct oneself. When a sound can replace an image, cut the image or neutralize it. The ear goes more towards the within, the eye towards the other. – Robert Bresson

Bresson Films for Review:

• Diary of a Country Priest (1951)
• A Man Escaped (1956)
• Au Hasard Balthazar (1966)

 2. Yasujirō Ozu

I have formulated my own directing style in my head, proceeding without any unnecessary imitation of others. I can make fried tofu, boiled tofu, stuffed tofu. Cutlets and other fancy stuff, that’s for other directors. – Yasujirō Ozu

Ozu Films for Review:

• I was born, but … (1932)
• Tokyo Story (1953)
• An Autumn Afternoon (1962)  

3. Alfred Hitchcock

If it’s a good movie, the sound could go off and the audience would still have a perfectly clear idea of what was going on. – Alfred Hitchcock

Hitchcock Films for Review:

• Notorious (1946)
• Rear Window (1954)
• Vertigo (1958)

4. Jean-Luc Godard 

If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality. – Jean-Luc Godard

 Godard Films for Review:

• Vivre sa vie (1962)
• Pierrot le Fou (1965)
• Masculin Féminin (1966)

5. Roberto  Rossellini 

I want you to know how deeply I wish to translate those ideas into images, just to quiet down the turmoil of my brain. – Roberto Rossellini

Rossellini Films for Review:

• Paisà (1946)
• Journey to Italy (1954)
• La Prise de pouvoir par Louis XIV (1966)

6. Orson Welles 

A film is never really good unless the camera is an eye in the head of a poet. – Orson Welles

Welles Films for Review:

• Citizen Kane (1941)
• The Magnificent Ambersons (1942)
• Touch of Evil (1958)

7. Ernst Lubitsch  

There are a thousand ways to point a camera, but really only one. I let the audience use their imaginations. Can I help it if they misconstrue my suggestions? – Ernst Lubitsch

Lubitsch Films for Review:

• Trouble in Paradise (1932) 
• Ninotchka (1939)
• The Shop Around the Corner (1940) 

8. Howard Hawks  

I’d say that everybody has seen every plot twenty times. What they haven’t seen is characters and their relation to one another. I don’t worry much about plot anymore. – Howard Hawks 

Hawks Films for Review:

• Bringing Up Baby (1938) 
• Only Angels Have Wings (1939) 
• Rio Bravo (1959) 

9. Kenji Mizoguchi 

You must put the odor of the human body into images [which] describe for me the implacable, the egoistic, the sensual, the cruel… there are nothing but disgusting people in this world.– Kenji Mizoguchi

Mizoguchi Films for Review:

• The Life of Oharu (1952)
• Ugetsu (1953)
• Sansho the Bailiff (1954) 

10. Jean Renoir  

What interests me is the interpretation of life by an artist. The personality of the film maker interests me more than the copy of an object – Jean Renoir 

Renoir Films for Review:

• The Crime of Monsieur Lange (1935)
• The Human Beast (1938)
• The Rules of the Game (1939) 

11. Max Ophüls  

The highest reaches of the actor’s art begin, I believe, at the point where words cease to play a part. – Max Ophüls

Ophüls Films for Review:

• Letter from an Unknown Woman (1949)  
• La Ronde (1950)
• The Earrings of Madame de… (1953)  

12. Luis Buñuel  

God and Country are an unbeatable team; they break all records for oppression and bloodshed. Thank God, I am still an atheist – Luis Buñuel

Buñuel Films for Review:

• Viridiana (1961)
• Belle de Jour (1967)
• Le charme discret de la bourgeoisie (1972)

 13. Fritz Lang 

To begin with I should say that I am a visual person. I experience with my eyes and never, or only rarely, with my ear – to my constant regret. Each picture has some sort of rhythm which only the director can give it. He has to be like the captain of a ship. – Fritz Lang

Lang Films for Review:

• Metropolis (1927)
• M (1931)
• The Big Heat (1953)

14.  John Ford  

My name’s John Ford. I make westerns – John Ford

Ford Films for Review:

• My Darling Clementine (1946)
• Rio Grande (1950)
• The Searchers (1956)

15. Josef von Sternberg

Shadow is mystery and light is clarity. Shadow conceals – light reveals. To know what to reveal and what to conceal and in what degrees to do this is all there is to art. – Josef von Sternberg

Sternberg Films for Review:

• The Docks of New York (1928)
• The Blue Angel (1930)
• Morocco (1930)

 16. Billy Wilder  

I have ten commandments. The first nine are, thou shalt not bore. The tenth is, thou shalt have right of final cut. – Billy Wilder

Wilder Films for Review:

• Double Indemnity (1944)
• Sunset Boulevard (1950)
• Some Like It Hot (1959) 

17. Robert Altman 

Making a movie is like chipping away at a stone. You take a piece off here, you take a piece off there and when you’re finished, you have a sculpture. You know that there’s something in there, but you’re not sure exactly what it is until you find it. – Robert Altman 

Altman Films for Review:

• McCabe & Mrs. Miller (1971)
• Nashville (1975)
• Short Cuts (1993)

18. D.W. Griffith 

Remember how small the world was before I came along? I brought it all to life: I moved the whole world onto a 20-foot screen. I made them see, didn’t I? I changed everything. – D.W. Griffith 

 Griffith Films for Review:

• The Birth of a Nation (1915)
• Intolerance  (1916)
• Broken Blossoms (1919) 

19. Abbas Kiarostami 

My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated. – Abbas Kiarostami

Kiarostami Films for Review:

• Close-Up (1990)
• Taste of Cherry (1997)
• The Wind Will Carry Us (1999)  

20. Carl Theodor Dreyer 

Nothing in the world can be compared to the human face. It is a land one can never tire of exploring. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry. – Carl Theodor Dreyer 

Dreyer Films for Review:

• The Passion of Joan of Arc (1928)
• Day of Wrath (1943)
• Ordet (The Word) (1955) 

21. Michelangelo Antonioni  

After you’ve learned two or three basic rules of cinema grammar, you can do what you like – including breaking those rules. A film you can explain in words is not a real film. – Michelangelo Antonioni

Antonioni Films for Review:   

• L’Avventura (1960)
• L’Eclisse (1962)
• Blow-up (1966)  

22. Buster Keaton 

Tragedy is a close-up; comedy, a long shot. Charlie Chaplin and I would have a friendly contest: Who could do the feature film with the least subtitles. – Buster Keaton 

Buster Keaton Films for Review:

• Sherlock Jr. (1924)
• The General, co-director Clyde Adolf Bruckman (1927)
• Steamboat Bill, Jr. (1928) 

23. Chantal Akerman   

When people ask me if I am a feminist film maker, I reply I am a woman and I also make films. – Chantal Akerman

Akerman Films for Review: 

• Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975)
• News from Home (1977)
• D’Est, From the East (1993)

24. Rainer Werner Fassbinder

Every decent director has only one subject, and finally only makes the same film over and over again. My subject is the exploitability of feelings, whoever might be the one exploiting them. It never ends. It’s a permanent theme. Whether the state exploits patriotism, or whether in a couple relationship, one partner destroys the other. – Rainer Werner Fassbinder

Fassbinder Films for Review:

• The Merchant of Four Seasons (1972)
• Ali: Fear Eats the Soul (1974)
• Berlin Alexanderplatz, a 14-part West German crime television miniseries (1980)  

25. Ousmane Sembène  

I think cinema is needed throughout Africa, because we are lagging behind in the knowledge of our own history. I think we need to create a culture that is our own. I think that images are very fascinating and very important to that end. Our forefathers’ image of women must be buried once for all.  – Ousmane Sembène

Sembene Films for Review:

• La Noire de… Black Girl (1966)
• Mandabi  (1968)
• Xala (1975) 

26. Charles Chaplin 

Laughter is the tonic, the relief, the surcease from pain. You’ll never find rainbows if you’re looking down. We think too much and feel too little. – Charles Chaplin

Chaplin Films for Review: 

• City Lights (1931)
• The Great Dictator (1940)
• Monsieur Verdoux  (1947)

27. Andrei Tarkovsky  

The director’s task is to recreate life, its movement, its contradictions, its dynamic and conflicts. It is his duty to reveal every iota of the truth he has seen, even if not everyone finds that truth acceptable. – Andrei Tarkovsky

Tarkovsky Films for Review:

• Andrei Rublev (1966)
•  Solaris (1972)
• Stalker (1979)  

28. Federico Fellini  

Even if I set out to make a film about a fillet of sole, it would be about me. – Federico Fellini

Fellini Films for Review:

• Nights of Cabiria (1957)
•  La Dolce Vita (1960)
• 8½ (1963), 

29. Ermanno Olmi

I really don’t feel exclusive. My ambition instead, perhaps because of my peasant–worker background, is to look at the world with others, not as an aristocratic. – Ermanno Olmi

Olmi Films for Review:  

• Il Posto (1962)
• The Tree of Wooden Clogs (1978)
• Tickets, an anthology film directed by Ermanno Olmi, Abbas Kiarostami  and Ken Loach (2005)

30. Akira Kurosawa 

Kurosawa Films for Review:  

For me, filmmaking combines everything. That’s the reason I’ve made cinema my life’s work. In films, painting and literature, theatre and music come together. But a film is still a film. – Akira Kurosawa

• Ikiru (1952)
• Seven Samurai (1954)
• Yojimbo (1961)

31. Sergei Eisenstein  

Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects? – Sergei Eisenstein

Eisenstein Films for Review:    

• Strike (1925)
• Battleship Potemkin (1925)
• Alexander Nevsky (1938) 

32. Éric Rohmer  

Rohmer Films for Review: 

I don’t think that my films are ‘literary’; they are based on the most ordinary things of life. – Éric Rohmer 

• My Night at Maud’s (1969)
• Perceval le Gallois (1978)
• Le Beau Mariage  (1981)

33. Jerzy Skolimowski  

As a poet my mind is trained along the path of poetic associations – I’m not afraid to wander away from direct narrative – I feel safe with a story that tempts you to believe or disbelieve. – Jerzy Skolimowski

Skolimowski Films for Review:  

• Deep End (1970)
• Moonlighting (1982)
• EO (2022) 

34. F.W. Murnau 

Don’t act – think! Films of the future will use more and more of these “camera angles” or, as I prefer to call them, these “dramatic angles.”  – F.W. Murnau 

Murnau Films for Review: 

• Nosferatu (1922)
• The Last Laugh (1924)
• Sunrise (1927).

35. François Truffaut

The film of tomorrow will not be directed by civil servants of the camera, but by artists for whom shooting a film constitutes a wonderful and thrilling adventure. – François Truffaut

Truffaut Films for Review: 

• The 400 Blows (1959)
• Jules and Jim (1962)
• Day for Night (1973)

36. Miklós Jancsó 

It’s very simple. Cinema has limits that it can’t exceed. It can never go beyond catching the spectator’s interest to make a spectacle. – Miklós Jancsó.

Jancsó Films for Review: 

• The Round-Up (1966)
• The Red and the White (1967)
• Red Psalm  (1971) 

37. Hou Hsiao-hsien  

The  “wu” in  “wuxia” means both “to cut” and “to stop.” It also refers to the weapon – usually a sword – carried by the assassin.  So wuxia stories are concerned with the premise of ending violence with violence. The hero’s journey is epic and transformative – physically, emotionally, and spiritually. – Hou Hsiao-hsien

Hou Hsiao-hsien Films for Review: 

• A City of Sadness (1989)
• The Puppetmaster (1993)
• Flowers of Shanghai (1998) 

38. Werner Herzog 

There are deeper strata of truth in cinema, and there is such a thing as poetic, ecstatic truth. It is mysterious and elusive, and can be reached only through fabrication and imagination and stylization. – Werner Herzog

Herzog Films for Review: 

• Aguirre, the Wrath of God (1972)
• The Enigma of Kaspar Hauser (1974)
• Stroszek (1977) 

39. Satyajit Ray 

The director is the only person who knows what the film is about. Cinema’s characteristic forte is its ability to capture and communicate the intimacies of the human mind. – Satyajit Ray 

Ray Films for Review: 

• Pather Panchali (1955) 
• Apur Sansar (The World of Apu) (1959)
• Aranyer Din Ratri (Days and Nights in the Forest)  (1970) 

40. Stanley Kubrick  

A film is – or should be – more like music than like fiction. – Stanley Kubrick

 Kubrick Films for Review:

• Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb (1964)
• 2001: A Space Odyssey (1968)
• The Shining (1980) 

41. Alain Resnais  

I use formal techniques to make the film more perceptive emotionally. – Alain Resnais

Resnais Films for Review:

• Hiroshima mon amour (1959)
• Last Year at Marienbad (1961)
• Mon oncle d’Amérique (1980) 

42. John Cassavetes  

During the actual filming, I’m not really listening to dialogue. I’m watching to see if the actors are communicating something and expressing something. You’re not aware of exactly what people are saying. You are aware of what they are INTENDING and what kind of feeling is going on in that scene. – John Cassavetes  

Cassavetes Films for Review:  

• Faces (1968)
• A Woman Under the Influence (1974)
• Opening Night (1977) 

43. Claire Denis  

I am not at all interested in theories about cinema. I am only interested in images and people and sound. – Claire Denis

Denis Films for Review:

• Chocolat (1988)
• Beau Travail (1999)
• Stars at Noon (2022)  

44. Sam Peckinpah 

The whole underside of our society has always been violence and still is. Churches, laws – everybody seems to think that man is a noble savage. But he’s only an animal. A meat-eating, talking animal. Recognize it. He also has grace and love and beauty. But don’t say to me we’re not violent. – Sam Peckinpah 

Peckinpah Films for Review:

• Ride the High Country (1962)
• The Wild Bunch (1969)
• Pat Garrett and Billy the Kid (1973) 

45. Andrzej Wajda  

When a film is created, it is created in a language, which is not only about words, but also the way that very language encodes our perception of the world, our understanding of it. – Andrzej Wajda 

• Kanał (1957)
• Ashes and Diamonds (1958)
• Man of Iron (1981)  

46. Martin Scorsese 

Cinema is a matter of what’s in the frame and what’s out. – Martin Scorsese

Scorsese Films for Review:

• Mean Streets (1973) 
• Taxi Driver (1977)  
• Raging Bull (1980)   

47. Masahiro Shinoda

One thing I can say is either to look at films very carefully, watch a lot of films, or don’t see any films at all. Just imagine! – Masahiro Shinoda

Shinoda Films for Review:

• Pale Flower (1964)
• Double Suicide) (1969)
• Ballad of Orin (1977) 

Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls. – Ingmar Bergman

Bergman Films for Review:

• The Seventh Seal (1958)
• Winter Light (1962)
• Persona (1966) 

49. Sergio Leone 

When I was young, I believed in three things: Marxism, the redemptive power of cinema, and dynamite. Now I just believe in dynamite. – Sergio Leone 

Leone Films for Review:

• The Good, the Bad and the Ugly (1966)
• Once Upon a Time in the West (1968)
• Once Upon a Time in America (1984) 

 50. Agnès Varda  

I’m not interested in seeing a film just made by a woman – not unless she is looking for new images. – Agnes Varda

Varda Films for Review:

• Cléo from 5 to 7 (1962)
• Le Bonheur (1965)
• Vagabond (1985) 

51. Jacques Rivette  

I guess I like a lot of directors. Or at least I try to. – Jacques Rivette 

Rivette Films for Review:

• L’amour fou (1969)
• Celine and Julie Go Boating (1974)
• La Belle Noiseuse (1991)

52. Clint Eastwood 

I keep working because I learn something new all the time. – Clint Eastwood 

Eastwood Films for Review:

• Unforgiven (1992)
• Mystic River (2003)
• Million Dollar Baby (2004) 

53. Erich von Stroheim

In Hollywood, you’re only as good as your last picture. – Erich von Stroheim

Stroheim Films for Review:

• Blind Husbands (1919)
• Foolish Wives (1922)
• Greed (1924)

54. Chris Marker 

An object dies when the gaze that lights on it has disappeared. – Chris Marker

Marker Films for Review:

• La Jetée (1962)
• Sans Soleil (1983)
• Loin du Vietnam, short in compilation film (1967)

55. Robert Flaherty

Sometimes you have to lie. One often has to distort a thing to catch its true spirit. – Robert Flaherty

Flaherty Films for Review::

• Nanook of the North (1922)
• Man of Aran (1934)
• Louisiana Story (1948)

56. Claude Chabrol

Films with a message just make me laugh. – Claude Chabrol

Chabrol Films for Review:

• La Femme infidèle (1969)
• Le Boucher (1970)
• Juste avant la nuit (1971)

57. Michael Powel & Emeric Pressburger 

Of course, all films are surrealist. They are because they are making something that looks like a real world but isn’t. – Michael Powell

Powell & Pressburger Films for Review:

• A Matter of Life and Death (1946)
• Black Narcissus (1947)
•  The Red Shoes (1948

58. Joseph Losey

Films can illustrate our existence… they can distress, disturb and provoke people into thinking about themselves and certain problems. But NOT give the answers. America has abandoned the strong woman of spirituality and is shacking up with the harlot of materialism. – Joseph Losey

Losey Films for Review:

• The Servant (1963)
• Accident (1967)
• The Go-Between (1971)

59. Preston Sturges

I did not think that a good movie was the equivalent of a good stage play, any more than I thought an automobile ride was as exhilarating as a drive behind a spirited horse, nor a trip by steam as soul-satisfying as a voyage by sail. – Preston Sturges

Sturges Films for Review:

• Hail the Conquering Hero (1944)
• The Lady Eve (1941)
• Sullivan’s Travels (1941)

60. David Cronenberg

Everybody’s a mad scientist, and life is their lab. We’re all trying to experiment to find a way to live, to solve problems, to fend off madness and chaos. – David Cronenberg

Cronenberg Films for Review:

• Spider (2002)
• Dead Ringers (1988)
• A History of Violence (2005)

61. Carlos Saura

I can’t separate cinema from my life. The two things are interrelated and enrich or impoverish each other. – Carlos Saura

Saura Films for Review:

• Ana and the Wolves (1972)
• Cría cuervos (1975)
• Flamenco Trilogy (1981 – 1986), Bodas de Sangre, Carmen, El Amor Brujo 

62. Wim Wenders 

Film is a very, very powerful medium. It can either confirm the idea that things are wonderful the way they are, or it can reinforce the conception that things can be changed. – Wim Wenders

Wenders Films for Review:

• Alice in the Cities (1974)
• Kings of the Road (1976)
• The American Friend (1977)

63. John Huston

The directing of a picture involves coming out of your individual loneliness and taking a controlling part in putting together a small world. – John Huston

Huston Films for Review:

• The Maltese Falcon (1941)
• The Asphalt Jungle (1950)
• The Man Who Would Be King (1975) 

64. Shōhei Imamura  

I am interested in the relationship of the lower part of the human body and the lower part of the social structure on which the reality of daily Japanese life obstinately supports itself. – Shōhei Imamura 

Imamura Films for Review:

• Vengeance Is Mine (1979)
• The Ballad of Narayama (1983)
• Black Rain (1989)

65. Nicholas Ray 

An actor can be as talented as another, but if he doesn’t stick to what the director’s intentions are, it all falls down. – Nicholas Ray 

Ray Films for Review:

• In a Lonely Place, (1950 )
• Johnny Guitar (1954)
• Bitter Victory (1957)

66. Jean Vigo 

However paradoxical it may seem, the film studio’s ideal would be to produce only one film which would go on making money forever. – Jean Vigo

Vigo Films for Review:

• Zéro de conduite featurette (1933)
• L’Atalante (1934) 

67. Vittorio De Sica

Art has to be severe. It cannot be commercial. It cannot be for the producer or even for the public. It has to be for oneself. – Vittorio De Sica

De Sica Films for Review:

• Sciuscià (1946)
• Ladri di biciclette (1948)
• Il Giardino dei Finzi-Contini (1970)

68. Jacques Tati

The images are designed, so that after you see the picture two or three times, its no longer my film, it starts to be your film. You recognize the people, you know them, and you don’t even know who directed the picture. – Jacques Tati

Tait Films for Review:

• Les Vacances de M. Hulot (1953)
• Playtime (1967)
• Trafic (1971)

69. Richard Lester

Cinema must reflect the temper of the times. We must choose material not only on the basis of whether we feel deeply, but on whether or not anyone’s bloody well going to see it. – Richard Lester

Lester Films for Review:

• A Hard Day’s Night (1964)
• Petulia (1968)
•  Juggernaut (1974)

70. Kon Ichikawa 

I’ve made various types of films: period dramas, modern dramas, films set in the Meiji period. But I don’t make any distinctions between them – they’re all films. True, with a period drama, there are certain conventions. With a modern drama, there is a different style of shooting. So you have to make changes according to the genre, but I never think, “This is a period drama, so I have to shoot it in such and such a way.” Films are films. If you don’t understand that, then you start filming lies. – Kon Ichikawa

Ichikawa Films for Review:

• The Burmese Harp (1956)
• Odd Obsession (1959)
• Fires on the Plain (1959)

71. Laurent Cantet 

I think we’re going through a really precarious period in film production, and I very much fear that it’s going to be a lot more difficult to make my kind of cinema. If you make films that don’t exactly announce themselves as surefire hits, you feel like you’re walking a tightrope.  I don’t want to take larger scale films in order to show my evolution as a director. – Laurent Cantet

Cantet Films for Review:

• Human Resources  (1999)
• Time Out (2001)
• The Class (2008)

72. Jean-Pierre Melville

I believe that you must be madly in love with cinema to create films. You also need a huge cinematic baggage. – Jean-Pierre Melville

Melville Films for Review:

• Le Doulos (1962)
• Le Samouraï (1967)
• Army of Shadows (1969)

73. Krzysztof Zanussi

I think cinema has a unique capacity to show the passage of time. When the camera can cover a distance of forty years, and you see what really happened to the faces of the actors – how they really aged, with no need for make-up – you see what happens to us. In literature, it is only reference, it’s not sensual; in cinema it’s sensual. – Krzysztof Zanussi

Zanussi Films for Review:

• Contract – FR TV (1980)
• The Constant Factor (1980)
• A Year of the Quiet Sun (1984)

74. Luchino Visconti

I could make a film in front of a wall if I knew how to find the data of man’s true humanity and how to express it. – Luchino Visconti

Visconti Films for Review:

• Rocco e i suoi fratelli (1960)
• Il gattopardo (1960)
• Morte a Venezia (1971)

75. David Lynch

Life is very, very complicated, and so films should be allowed to be, too. – David Lynch

Lynch Films for Review:

• Blue Velvet (1986)
• Lost Highway (1997)
• Mulholland Drive (2001)

Readers, feel free to comment or send your own lists to ad***@tr**********.com .

The post Traveling Boy Selects the 75 Greatest Film Directors of All-Time appeared first on Traveling Archive.

Take a flying tour of ancient Rome, recreated digitally in spectacular detail

by J-P Mauro for Aleteia.org

There have been some beautiful digital recreations of ancient Roman sites, but the work being done by History in 3D goes above and beyond. At the tail end of 2021, they released this 8-minute aerial tour of their work so far. The project is far from complete, but it promises a unique and accurate view of ancient Rome. This is Rome as it would have looked during the time of Christ.

The majority of this ambitious digital recreation is the product of just two 3D modelers: Danila Loginov and Sergey Bardyshev. On their website, they note that Danila founded the project in 2011, for which he serves as team leader and modeler. The team’s goal is to create the most complete, accurate and detailed 3D reconstruction of ancient Rome.

France Joli – The Voice of Montreal

In 1979, sixteen-year-old France Joli burst onto the international music scene with the Disco-Era classic Come To Me. More hits followed: The Heart To Break The Heart, Gonna Get Over You, and, more recently, France’s cover of the Leonard Cohen favorite Hallelujah.

Ms. Joli is back with a new song. It’s a cover of the ballad Heart of Stone from the hit Broadway musical SIX (about the wives of Henry VIII). Joli puts her trademark disco spin on the track along with soaring vocals that rival the stage version.

In a revealing new interview with filmmaker/discophile Kelly Hughes, the celebrated chanteuse Québécoise talks about the making of Heart of Stone and shares behind-the-scenes stories about her most beloved songs.

Pandemics Do Eventually End

Even if Omicron is complicating the question of when this one will, it won’t be like flipping a light switch: The world will have to learn to coexist with a virus that’s not going away.

Pandemics do eventually end, even if omicron is complicating the question of when this one will. But it won’t be like flipping a light switch: The world will have to learn to coexist with a virus that’s not going away.

The ultra-contagious omicron mutant is pushing cases to all-time highs and causing chaos as an exhausted world struggles, again, to stem the spread. But this time, we’re not starting from scratch.

Vaccines offer strong protection from serious illness, even if they don’t always prevent a mild infection. Omicron doesn’t appear to be as deadly as some earlier variants. And those who survive it will have some refreshed protection against other forms of the virus that still are circulating — and maybe the next mutant to emerge, too.

The newest variant is a warning about what will continue to happen “unless we really get serious about the endgame,” said Dr. Albert Ko, an infectious disease specialist at the Yale School of Public Health.

“Certainly COVID will be with us forever,” Ko added. “We’re never going to be able to eradicate or eliminate COVID, so we have to identify our goals.”

At some point, the World Health Organization will determine when enough countries have tamped down their COVID-19 cases sufficiently — or at least, hospitalizations and deaths — to declare the pandemic officially over. Exactly what that threshold will be isn’t clear.

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Where Does the Name January Come From?

January is named for the ancient Roman god of transitions, Janus, who is often depicted with two heads that face in opposite directions.

St Canute’s Day

St Canute’s Day is the feast day of the Danish king Canute the Holy, which was originally on January 7, the day after Epiphany.

National Park Fee-Free Days of 2022

By Elizabeth Preske of TripSavvy

Outdoor enthusiasts, get ready to start planning your 2022 adventures. For five days this year, the National Park Service will waive entrance fees for all 423 of its parks, monuments, and memorials.

Even though you can visit a majority of the national parks for free at any given time, 108 NPS sites—including Acadia, Grand Canyon, Yosemite, Yellowstone, and Glacier national parks—charge admission fees ranging from $5 to $35 most days of the year. But if you plan accordingly, you can hit up America’s most popular parks without worrying about this key cost.

The National Park Service fee-free days for 2022 include:

• Jan. 17 – Martin Luther King, Jr. Day
• April 16 – First day of National Park Week
• Aug. 4 – Great American Outdoors Act anniversary
• Sept. 24 – National Public Lands Day
• Nov. 11 – Veterans Day

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We Must Come Together on COVID

The new Netflix film Don’t Look Up is a star-studded allegory about climate change. The world faces a clear and imminent threat, and the question the movie poses is: Will we be able to overcome the narrow self-interests of politicians, the business community, and individual nations to defeat the threat we collectively face? Will too many people around the world be too gullible and passive to demand the right actions from their leaders?

In the case of the film, it does not give away too much to suggest that doing the right thing is a challenge. The film is not just a parable about our inertia when it comes to the ever worsening, nearly irreversible climate crisis—it is a reminder that the idea that the planet will effectively unite in the interest of self-preservation is itself a romantic myth.

The coronavirus pandemic has shown that bona fide global cooperation is more fanciful and out of reach than ever.

It was a very different sort of Hollywood product, President Ronald Reagan, who—with Soviet Premier Mikhail Gorbachev—helped promote this fantasy of an enlightened global community. During a 1985 summit in Geneva, their conversation took an odd turn. As reported by Gorbachev himself, “President Reagan suddenly said to me, ‘What would you do if the United States were suddenly attacked by someone from outer space? Would you help us?’” Gorbachev responded, “No doubt about it.” Reagan replied, “We too.”

Our modern experience with shared existential threats tells another story.

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Ramen for Winter

The roots of ramen can be traced back to China, whose noodle-eating food culture was introduced in Japan during the 1860s. It was at this period when Japan ended its national isolation and reopened its ports to the outside world.

30 Best Ramen Recipes

Free Jabs and Sauna at Austria’s Fun Palast brothel

 

Forget free beers, lotteries and discount food, a brothel in Austria has come up with a sure-fire way to incentivise people to get the coronavirus vaccine. Not only is Fun Palast in Vienna administering jabs, it’s offering up a 30-minute session in the ‘sauna club’ with the ‘lady of your choice’ to anyone who gets the vaccine at the on-site clinic.

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Larry David on Larry David

Larry David to host ‘Saturday Night Live’ (blastingnews.com)

There are many things about me that I’m sure might be of interest to readers. Things I’ve never really told anyone. I’ve always been a private person, but I wanted to make sure I got a few things down in writing, just in case anything happens to me-or before I forget!

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Like, here’s something: People might be surprised to learn that I’m a speed reader. I took a course when I was a kid, and one would be hard pressed to name a book I haven’t read. Books are my constant companions. Like, last year, I went to Turks and Caicos over Christmas and read “The Count of Monte Cristo” on the way there and “Anna Karenina” on the way back. I’m glad I read them in that order. It might have ruined my vacation otherwise! So, you know, stuff like that.

Not sure how much time should be given to my standup years, but I’ve thought of a few stories that might be worth mentioning. There was one night at the Improv when I made a woman sitting in the front row laugh so hard that she went into convulsions and eventually lost consciousness. An ambulance had to be called, and she was taken to Roosevelt Hospital. It was touch and go there for a while, but thankfully she pulled through. I visited her the next day with the best bouquet of flowers that New York had to offer and humbly stood by while she told the nurse how “damn funny” I was. Pretty embarrassing, but what choice did I have?

From that point on, everyone started calling me Killer. People came to the club in droves, asking if Killer was going on. It wasn’t bad for my social life, either. No sooner would I finish a set than there would be half a dozen women at the bar, trying to talk to me. “Kill me! Kill me!” they would pant. I would choose two and off we’d go. One particular night, the husbands showed up. (I had no idea they were married-swear to God!) Fortunately, my father taught me how to box when I was a kid, and there’s no doubt I could’ve turned professional if comedy hadn’t called me. In any case, I was not to be trifled with. I calmly explained this to both husbands, but they were not impressed. Two minutes later, they were lying flat out on the sidewalk, whereupon their wives and I hopped into a cab and I did another set across town. When it was over, I bought a round of drinks for everyone, even though I didn’t have a penny to my name. (Interesting stuff, right? Hope it’s useful. Either way, I’m good-your call.)

There wasn’t much money to be made in standup back then, so I supported my fledgling comedy career by working as a tour guide at the Central Park Zoo during the day. I’ve always had a deep connection with animals and I thought that would be the perfect job for me.

And it was, until some kid was admiring the polar bear and decided to jump the railing to get a closer look. I was in the middle of giving a tour when I heard screams coming from the kid’s parents and raced over there. The boy was on the ground in a state of shock, as the polar bear hovered over him, about to attack. As luck would have it, a few months prior I’d attended a lecture at the New School by one of the world’s foremost Ursus authorities, Dr. Meyer Dusenberry, who explained that if we were ever face to face with a bear we should create a cacophony. Without a second to lose, I grabbed the lid of a hot-dog pot from a nearby Sabrett’s cart, leaped over the fence, and frantically rattled the lid against the bars until the bear retreated. Then I slung the kid over my shoulder in a fireman’s carry (learned from my years as a volunteer with the F.D.N.Y.) and returned the youngster to his grateful parents. They offered me a huge reward, but I declined, saying that my reward was seeing their happy faces. No amount of money in the world could top that!

I kept in touch with the boy throughout his youth, and, after his parents lost all their money in a Ponzi scheme, I put him through college and medical school. Today, he’s on the verge of a monumental cancer-research breakthrough and is slated to appear on an upcoming cover of Time. I told him I preferred to remain anonymous in the article. (You don’t have to include this in the book, but, if you want to, I guess there’s nothing I can do about it.)

People always ask me what I would’ve done had I not become a comedian. Besides the aforementioned stints at prizefighting and animal husbandry, I was also a child prodigy at the piano. By the time I was eight, I was playing Beethoven’s “Hammerklavier” Sonata No. 29 in B-Flat Major flawlessly. There’s no telling how far I could’ve gone, but my budding career as a virtuoso ended when my “friend” Frenchie dropped a bowling ball on my foot. It broke my third and fifth metatarsal bones. I lost all proficiency with the pedals, and my tone was never the same. As I look back on that incident, what’s most galling to me is that I was only two strikes away from a perfect game when the “accident” occurred. Many years later, I ran into Frenchie at Yankee Stadium and accidentally dropped a fist in his face.
But the universe works in mysterious ways, because the day after my bowling-lane encounter with Frenchie I attended a podiatry convention (by then I’d become obsessed with the intricate bone structure of the human foot), where I met a doctor who told me that the simple act of running might be the best thing for my injury. Soon I was pounding the pavement nearly thirty miles a week, and, before long, not only was I playing the piano again but I had signed up for the New York City Marathon. It was my first race, but clearly I had a gift for distance running, because, after eighteen miles, I found myself in fifth place, only an eighth of a mile behind the leader.

We were approaching the Queensboro Bridge when, for some reason, I turned to my right and, behind the crowd, I noticed a holdup of a jewelry store in progress. Even though I was in striking distance of the leader, I couldn’t ignore what was taking place. I made a sharp detour to my right and slithered through the crowd. When I arrived at the store, the robber was brandishing a gun at the terrified jeweller while emptying the contents of the case into a cloth sack. I proceeded to sneak up behind the thief, karate-chop his arm, and render him unconscious with a sleeper hold that I picked up from watching Chief Jay Strongbow in a wrestling match on TV. Then I handed the gun to the jeweller, told him to call the police, and added that, if the robber were to wake up, he should shoot him if he made a move. Mission accomplished, I made my way back to the race and still managed to finish twentieth. There was no doubt in anyone’s mind that, had I not foiled the robbery, I would’ve easily placed in the top five, or maybe even won. (Life’s funny. Bought a new watch today and was reminded of that story for the first time in years. Can’t think of any reason that you wouldn’t use it, unless you don’t want people to know the truth. News flash! There’s more to me than just jokes!)
I entered the marathon again the following year and thought for sure that this time I’d sweep the chips, but two days before the race I was contacted by an adoption agency. There was a child available in Romania, and she was mine if I could get there in twenty-four hours. As badly as I wanted to win the marathon, I couldn’t pass up this amazing opportunity. For years, I’d longed to adopt a child. I had so much to give, so much knowledge to impart. That night, I was off to Romania. When I returned home, it was with a beautiful, sightless little girl named Natasha, whom I renamed Jill. She was six years old and didn’t speak a word of English, but, given my proficiency with languages, I was fluent in Romanian within five weeks. Tragically, after a few months, Jill’s birth mother showed up and begged to take her child back. How could I deprive a mother of her little girl? And so, as difficult as it was, I gave Jill up. I still write to her every day in Braille and make the trek to Bucharest annually. She’s the love of my life.

So, these are just a few memories-yours to use as you see fit. Just know that there’s certainly a lot more where they came from!

Lawrence Gene David (born July 2, 1947) is an American comedian, writer, actor, director, and television producer. He and Jerry Seinfeld created the television series Seinfeld, on which David was head writer and executive producer for the first seven seasons. He gained further recognition for the HBO series Curb Your Enthusiasm, which he created and stars in as a semi-fictionalized version of himself. He has written or co-written the stories of every episode of the improvisational comedy Curb Your Enthusiasm since its pilot episode in 1999.

 

It’s Winter, Wear a Hat

Story courtesy of bernardhats.com/all-about-hats/history-of-hats

The History of Hats begins with one of the first pictorial depictions of a hat appears in a Thebes tomb painting which shows a man wearing a conical straw hat.

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Other early hats were the Pileus, a simple skull cap; the Phrygian cap, worn by freed slaves in Greece and Rome; and the Greek petasos, the first known hat with a brim. Women wore veils, kerchiefs, hoods, caps and wimples. St. Clement, the patron saint of felt hatmakers, is said to have discovered wool felt when he filled his sandals with flax fibers to protect his feet.

In the Middle Ages, hats were a marker of social status and used to single out certain groups. The 1215 Fourth Council of the Lateran required that all Jews identify themselves by wearing the Judenhat (“Jewish hat”), marking them as targets for anti-Semitism. The hats were usually yellow, and were either pointed or square.

In the Middle Ages, hats for women ranged from simple scarves to elaborate hennin, and denoted social status. Structured hats for women similar to those of male courtiers began to be worn in the late 16th century. The term ‘milliner’ comes from the Italian city of Milan, where the best quality hats were made in the 18th century. Millinery was traditionally a woman’s occupation, with the milliner not only creating hats and bonnets but also choosing lace, trimmings and accessories to complete an outfit.

Men’s hat, 1600-1625

In the first half of the 19th century, women wore bonnets that gradually became larger, decorated with ribbons, flowers, feathers, and gauze trims. By the end of the century, many other styles were introduced, among them hats with wide brims and flat crowns, the flower pot and the toque. By the middle of the 1920s, when women began to cut their hair short, they chose hats that hugged the head like a helmet.

The tradition of wearing hats to horse racing events began at the Royal Ascot in Britain, which maintains a strict dress code. All guests in the Royal Enclosure must wear hats. This tradition was adopted at other horse racing events, such as the Kentucky Derby in the United States.

Extravagant hats were popular in the 1980s, and in the early 21st century, flamboyant hats made a comeback, with a new wave of competitive young milliners designing creations that include turban caps, trompe-l’oeil-effect felt hats and tall headpieces made of human hair. Some new hat collections have been described as “wearable sculpture.” Many pop stars, among them Lady Gaga, have commissioned hats as publicity stunts.

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Random Acts of Canine Kindness

Cedric the Dog takes a well-deserved break after dismantling a domestic terrorist bomb at Pike Place Market.

You want a friend in Washington? Get a dog. – Harry S. Truman

Dog Quotations

Together in Spirit – The Best Friends Animal Society

At the core of Best Friends Animal Society’s work is the dream that one day animals will no longer be killed in America’s shelters.

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Movie of the Week

Bringing Up Baby (1938). Directed by Howard Hawks.

While trying to secure a $1 million donation for his museum, a befuddled paleontologist is pursued by a flighty and often irritating heiress and her pet leopard, Baby.

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Booster Reminder

If you want to be proactive, go and get your vaccine, go get your booster, try to work to get the population immunity up to a higher level as Omicron becomes a variant here in the U.S.

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How COVID-19 harms the heart

A colored chest x-ray of the enlarged heart of a 74-year-old female COVID-19 patient. Some patients continue to experience cardiovascular symptoms months after recovering from COVID-19-even though their chest scans and other tests come back normal.

Many patients are experiencing heart palpitations, chest pain, and shortness of breath even after recovering from COVID-19. But new studies offer reason for hope.

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Springsteen’s Relationship With His Father

Bruce Springsteen endured verbal abuse from his father as a child that later resulted in breakdowns and mental health issues, the singer revealed in an explosive tell-all interview.

Springsteen, 69, admitted that his father made him feel ashamed for being more like his mother, as opposed to tough like him.

“My mother was kind and compassionate and very considerate of others’ feelings,” he told Esquire. “She trod through the world with purpose, but softly, lightly. All those were the things that aligned with my own spirit. That was who I was. They came naturally to me. My father looked at all those things as weaknesses. He was very dismissive of primarily who I was. And that sends you off on a lifelong quest to sort through that.”

Today, Springsteen has dedicated his life to over 29 charitable foundations, often through his music and concerts.

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Ben Franklin Quote

In 1736 I lost one of my sons, a fine boy of four years old, by the small-pox, taken in the common way. I long regretted bitterly, and still regret that I had not given it to him byinoculation. This I mention for the sake of parents who omit that operation, on the supposition that they should never forgive themselves if a child died under it; my example showing that the regret may be the same either way, and that, therefore, the safer should be chosen.
― Benjamin Franklin

What Are YOUR Holiday Cancellation Rights?

Courtesy of Matt Fernell, www.money.co.uk

If you need to cancel your holiday it is important to know where you stand before you speak to your travel agent or insurer. Here are your rights when you have to cancel your holiday.

No one wants to have to cancel their holiday but if this happens to you, you need to know what your rights are when it comes to getting your money back. Our guide explains it all.

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The T-Boy Society of Film & Music’s Top Five North-American-English Language Travel Novels

As can be expected the presence of Ernest Hemingway and Jack Kerouac dominated the lists. Regarded by many as the greatest and most influential writer in the 20th century, Hemingway’s writing style is minimalistic, direct, and unadorned, a result of his early newspaper training. While Kerouac termed his style of writing, “spontaneous prose,” which gushed with unedited sentences that captured the truth of the moment. Both writers’ work is based on personal experience. John Dos Passos, a Hemingway contemporary, and Mark Twain, whose novel, The Adventures of Huckeberry Finne, is considered by many as the Great American novel, are also well represented.

See Results of Top Five North-American-English Language Travel Novels

Rainer Werner Fassbinder

Rainer Werner Fassbinder (1945-1983) was a prolific German filmmaker, actor, playwright, theatre director, composer, editor, and essayist. Along with Werner Herzog and Wim Wenders (while some consider also Volker Schlöndorff), he is widely regarded as one of the prominent figures of the New German Cinema movement.

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Fassbinder died at age 37 from a lethal cocktail of cocaine and barbiturates. His career lasted less than two decades, but still completed over 40 feature films, two television series, three short films, four video productions, and 24 plays. The T-Boy Society of Film & Music rates The Merchant of Four Seasons (1972), The Bitter Tears of Petra von Kant (1972), Ali: Fear Eats the Soul (1974), Fox and His Friends (1975) and Lola (1981) among his best films.

Running more than 13 hours, with a two-hour coda (released in the U.S. as a 15-hour feat ure), his landmark German TV Mini Series, Berlin Alexanderplatz (1980), an adaptation of Alfred Döblin’s 1929 novel Berlin Alexanderplatz, was the culmination of the director’s inter-related themes of love, life, and power. New York film critic, Vincent Canby hailed Fassbinder as “The most original talent since Jean-Luc Godard.”

FOCUS: Ali: Fear Eats the Soul (1974) by Rainer Werner Fassbinder

Produced at the peak of Rainer Werner Fassbinder’s creative powers, Ali: Fear Eats the Soul (1974)) reworks the narrative and thematic framework of Douglas Sirk’s classic melodrama All That Heaven Allows (also the inspiration for Todd Haynes’ Far from Heaven) in telling the improbable love story of Ali (El Hedi ben Salem), a thirty-something Moroccan immigrant working as a mechanic, and Emmi (Fassbinder muse Brigitte Mira), a German widow who is old enough to be his mother. The unlikely pair gets married and quickly encounters prejudice and discrimination from neighbors, friends, and family (including Fassbinder himself as Emmi’s son-in-law). This tender romance-cum-social-commentary has endured as one of Fassbinder’s most accomplished masterpieces..

Covid-19 Variant Omicron Induces Wave of Travel Restrictions

By Elizabeth West / Business Travel News

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Effective today, United States has barred all foreign nationals arriving from South Africa, Botswana, Zimbabwe, Namibia, Lesotho, Eswatini, Mozambique and Malawi.

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Urban air mobility may soon replace taxis, rideshares

By Gautham Nagesh

Within a few years, the most efficient way to get to the airport may not be a taxi or rideshare service, but an electric vertical takeoff and landing aircraft that can quickly get you to your destination for about the same cost as a ride in an Uber Black. Urban air mobility flights may cost as little as $50 to $80 and would typically carry between two and 10 passengers on short distances up to 200 miles.

It is late afternoon in Manhattan and you have a flight to catch at Kennedy International Airport. Instead of sitting in rush-hour traffic for two hours, you take a short ride to a nearby parking garage where you board an electric aircraft that takes off vertically from the roof and deposits you at Kennedy 20 minutes later for roughly the same cost as a fancy ride-share. You make your flight in time.

While this scenario might sound far-fetched, several companies say they are on the verge of being able to offer safe, cheap, clean electric aircraft that can help passengers travel distances between two and 150 miles without the need for a conventional runway. Public and private experts believe the technology could grow into a massive market that helps ease congestion and changes the way people travel in major metropolitan areas.

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The Best Cities to Relocate to Around the World

The pandemic has heightened our appreciation for where we live, with many reconsidering their hometowns. Coupled with the flexibility of remote work and international borders slowly opening up, now might be the time to consider that relocation you’ve long dreamed of.

To determine the ideal places to call home, U.K. finance site money.co.uk studied the best cities to move around the world in its Relocation Report, released this week.

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Importance of Listening

Sounds are omnipresent in nature and many species’ lives depend on their acute hearing. What if as human beings we could learn this lesson from nature? In her latest blog, Dr. Kathy Allen offers 4 key reasons why we need to listen to what is happening around us.

Listen here: Kathleen Allen | The Sounds of Nature

World’s Worst Airlines in the World

Travel company AirHelp, which helps travelers get compensated for flight delays, wanted to find out how dozens of airlines around the world stacked up against each other, so they crunched some numbers to create a ranking. The final list accounts for the quality of amenities, on-time arrivals and how well the airlines resolve flight-delay compensation claims.

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Switzerland by train, bus and boat

Receive detailed information about travelling by train, bus and boat –
all on mystsnet.com, Swiss Travel System’s Media and Trade platform. Keep
abreast of current information around the news world thanks to press releases
and download inspiring texts, pictures and videos from the Download Centre.

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The post France Joli, Wear a Hat, World’s Airlines Ranked appeared first on Traveling Archive.