If you ever get the chance to hang out with D.K. Harrell and his band, make sure it's over the breakfast table. The conversation flows fast and thick like our biscuits and gravy and the subject matter ranges from everything family and friends, good times, hard times and all things music. The entire band is well-versed in the latter and all speak fluent blues, jazz, soul, R&B and roots dialects. Not only young and talented, they openly display a shared enthusiasm and serious commitment to the music they love. You see it clearly when they acknowledge influences or when praising those who paved the way, but it grabs you by the throat when they step on stage and you witness it up close and personal with every note they play.

Detroit's reigning Queen of the Blues; Thornetta Davis recently graced Southern California with a royal visit courtesy of the San Diego Gourmet Blues Series. Ms. Davis' performance made it perfectly clear why she was honored with the Female Soul Blues Artist of the year at the 2023 Blues Music Awards in Memphis last May. Thornetta and her Motor City entourage follow a musical path that is uniquely their own and the songbook they work from contain the crown jewels of soul, blues, rock and funk. For more than two hours she reminded So Cal's blues faithful what the true meaning of Detroit's thriving music scene is all about. "Detroit, man! Give it up for Detroit musicians! Don't sleep on us!"

When you grow up in a family where your father is known as Lil’ Howlin’ Wolf, the chances are pretty good that you may end up as a bluesman. If you come of age on Chicago's Southside and your band is forced to practice in the basement laundry room of the projects, you may end up as a bluesman. But when childhood memories include your dad taking you by the hand into some of the Windy City's most legendary bars and you witness B.B. King live for the first time at the Burning Spear on State Street, damn you have to be a bluesman!

RJ Mischo has been dropping blues records and discs since the 90s and his latest is out right now. The new release was captured ‘live’ in Studio late, last year at Suprovox Analog Recording in Karkkila, Finland. That certainly comes as no surprise when you consider RJ’s popularity and fan base in Scandinavia and throughout Europe is just as wide-ranging as it is across the U.S.

James 'Yank' Rachell isn't a name commonly mentioned or referred to in the blues community but he really should be. It might have been his instrument of choice; it wasn't a guitar but rather, the mandolin. Born Northeast of Memphis near Brownsville, Tennessee, on March 16th 1910, Rachell grew up as a farm laborer working alongside his family. The story goes he traded a pig for his first mandolin when just a child and lucky for us, he never put it down. Yank became an accomplished musician and also played guitar, banjo and the fiddle, but he always came back to his first love, the mandolin.

I miss Willie Dixon. I had the tremendous good fortune to sit and talk with him on several occasions during the 1980's, and he never failed to amaze, entertain and enlighten me. During those years you couldn't go into a Southern California club, blues venue or attend a music festival without seeing the man surrounded by an entourage of adoring friends and fans.

Nathan James is a work-aholic! Yeah for us! His latest release is entitled ‘I May Crawl’ and it is everything you’d expect from the San Diego musician. Eleven original songs; some reflective, all meaningful, but always looking at life through an open and more positive lens. His style of play is so eclectic, incorporating blues with a cadenced funk, an acoustic flair or a dreamy slide. James plays all the instrumentation, guitars, percussive footboards, washboard, kazoo, harmonicas and he does it ‘all at once!’

They say one of the only activities that can activate and stimulate the use of the entire brain…is music. If that is indeed true; my nomination for their blues poster child is Laurie Morvan. I have my reasons. Whether you're a left-brain analytical and methodical person or a right-brain creative and artistic individual; everyone has their comfort zones. Not Laurie Morvan, she taps the intellect of both sides and she does it all the time.

It's a city where anything goes, where everyone feels comfortable. A city of contradictions. It's a city that's part Left Bank, part island getaway. A town where tacky sits comfortably with tropical vegetation on the same barstool, Bacchus, blues and beignets share the same plate.

I don't know what's in the water up in the Northeast portion of the U.S., but we need to ensure it never stops producing. I'm talking about the incredible guitar talent that comes from the State of Massachusetts. From Black Francis and Dick Dale to Little Steven and Susan Tedeschi; the richness and depth of talent is beyond belief. One of the latest prodigies is a 22-year old New Bedford guitarist named Quinn Sullivan.