Ekwa Msangi’s directorial debut, Farewell Amor is a tender story about an immigrant family facing new beginnings.  Essentially a three-hander, the finely fleshed out characters are brought to life by Msangi and the stirring performances of the principal actors. It’s time for the character’s rediscovery and director Msangi divides the film into three segments to reflect the adjustments each character …

Living with the harsh reality that the United States Supreme Court is the most conservative since the 1930’s, we are faced with the possibility of reversal of protections – from healthcare to environmental. In that regard, Alan Ball’s compelling Uncle Frank couldn’t be timelier.

Apparently the “go to guy” for art-related films seems to be the talented Danish actor Claes Bang. He starred in the The Square, The Burnt Orange Heresy and currently co-stars in The Last Vermeer, written by James McGee, Mark Fergus and Hawk Ostby, based on the book “The Man Who Made Vermeers” by Jonathan Lopez.

Any career woman, who has been faced with juggling her work with parental responsibilities will relate to French director Alice Winocour’s “Proxima.” Co-written with Jean-Stéphane Bron, the film is basically a family drama centering on a female astronaut in training for a space trip to Mars.

Wonderfully produced and directed by Laura Naylor, this enchanting film presents an intimate look at the daily lives of a group of working class men, some of whom have been showing up for the harvest drive at the Jacques Selosse vineyards for the last twenty-five years. The film captures the heart and soul of this particular harvest experience.

Atom Egoyan’s film is one that you will either love or hate. I fall somewhere in the middle as the following review will demonstrate.

With Joseph Gordon-Levitt and Jamie Foxx in lead roles, how could anything go wrong in this action, sci-fi thriller written by first-time screenwriter Mattson Tomlin and directed by Ariel Schulman and Henry Joost? In a word – plenty.

There are films that are destined to remain in the time frame in which they were shot, as the themes do not travel well into the future. Then there are films that explore the human condition and continue to have universal relevance. One of those motion pictures is the 2009 film "The Private Lives of Pippa Lee."

On the morning of February 28, 2020, the T-Boy Society of Film & Music met in Studio City, CA for the final vote on our top 20 Road Movies of all-time. It was one of those beautiful Southern California mornings where the sun was out, the air was fresh with just a hint of dampness on the world-famous Los Angeles River ‘s concrete riverbed.

Couples-on-the-run films are now a sub-genre in Road Movies. They range from the film noirs of Edgar G. Ulmer’s Detour and Joseph H. Lewis’ Gun Crazy to Jean-Luc Godard’s existentialism in Pierrot le Fou and the anarchic Weekend, where a traffic jam represents the approaching cataclysm that will destroy civilization. Rather timely today.